Boeing Boeing

Boeing Boeing 

Devonshire Park Theatre

Eastbourne

9th-13th October 2018

Cast (alphabetical)

Katy Dean

Alan Drake

Polly Lister

Polly Smith

Phil Stewart

Rebecca Wheatley

9 years have passed since I last saw this comedy by Marc Camelotti, but it's lost none of it's flair.

This version, directed by Ben Roddy, is a hilarious production which literally has you laughing from beginning to end.

For those unfamiliar with the plot Bernard is a successful architect, living in Paris. He is "playing" 3 pretty air hostesses by having relationships with all of them at the same time. With all on different airlines and schedules he is relying merely on the airline timetables running on perfect time to keep them apart.

It doesn't take a genius to work out that this is the perfect recipe for disaster and mayhem. When an old school friend, Richard, turns up out of the blue he does his best to help his mate out of a crisis but just adds to the bedlam. Meanwhile Bernard's despairing maid, Bertha, tries her best to keep everybody fed and watered ,with a cuisine appropriate to each hostesses homeland. At the same time she tries to keep all the love-struck mistresses apart.

I've seen plenty of farces over the years. But Boeing Boeing has to be one of the finest for constant hilarity using the simplest of sets.

It really is one of those plays you want to see again simply because of how funny it is.

It has to be said the whole cast are amazing, providing laughs galore. But I think its only fair to say that Alan Drake should get an award for stamina as Bernard's role is incredibly demanding. Remembering which woman is behind which door in addition to recalling a complex script must take some doing. He does a superb job and it's not surprising that at the end he is dripping in sweat !

I always listen out for comments in the audience though. The runaway favorite acting performance (and I am in complete agreement here) was Rebecca Wheatley's superb portrayal of Bertha the maid. Rebecca turns in a simply hysterical performance.

If you want to escape all your troubles for a couple of hours and just want a really good laugh this Boeing Boeing comedy by PhilBen productions really is a first class, top flight farce. Laughs aplenty!

The Nightmare Room, Devonshire Park Theatre, Eastbourne

The Nightmare Room

Devonshire Park Theatre

Eastbourne

Tue 26 Jun 2018 to Sat 30 Jun 2018

(show seen 26 June)

Cast

Catherine - Sarah Wynne Kordas Paisley

Helen - Angie Smith

A simple set is seen : 2 small white plastic chairs, 1 small white plastic table, 2 glasses, 1 glass jug filled with water, 1 small bottle of poison and a room with plain white panelled walls 

A simple scene is set : 2 women, 1 locked room and 1 bottle of poison. Basically Helen has betrayed her best friend Catherine by stealing her fella and Cathy is apparently now out for the ultimate revenge

As you may have gathered from the above this is not your average play. It is contemporary and very different from any murder mystery you may have seen before.

In fact you're not even sure there is going to be a murder... that's the mystery.

It is minimalist in every sense. I'm guessing the production team must have been delighted with the cost of the set? It goes to show you don't have to spend a fortune for all dramas. Once you know the background to the story you can actually understand why such a simplistic set works well in this case. 

This play is more about the relationship and interaction between the two characters than the set itself. With the background not being over complicated you are somehow drawn more into what is actually going on with the cast.

As the play progresses we see scenes not only from the present day in the nightmare room but also flashbacks from the past so that we can establish how the women got themselves into their current predicament.

If you are of a very nervous disposition, especially if you have health problems such as heart issues, which may be exasperated by being made to "jump" regularly you should be aware this happens a LOT. It's not down to any on stage action but each scene finishes with a very loud, no VERY LOUD, noise and the theatre being plunged into darkness. With a mainly elderly Eastbourne audience I know this part wasn't to everybody's liking. A voice behind me heard to say "If that happens one more time I'm going go $*!!£@# mad !"

I know why this is done and it does work given the modern nature of the play, but I'm not convinced it needs to be quite as loud as it is.

I preferred it when Catherine and Helen were moving about rather than sitting at the table. In front of me, sitting half way back in the central stalls, a big guy with a seemingly overly large head eclipsed my view of the table. His ears covered the chairs, obliterating the actors. I must have irritated the person behind me because my head was swinging from side to side continuously to see what was going on. I found this quite amusing in an irritating sort of way.

Acting wise I thought it was excellent. These 2 actresses have to switch between multiple scenes in an instant. These have not only continuous extremely involved and complicated scripts but also dramatic changes in emotion and personality to portray. It can't be easy to switch from raging anger to angelic niceness in the blink of an eye whilst still trying to remember your lines but both the cast deliver this flawlessly.

As with all good murder mysteries there are twist and turns aplenty as we get to the final outcome. I found myself with many theories of the ending as it progressed... all useless of course.

What did the audience think? Well that's the odd thing, I really have no idea. At the end of a play you can usually here comments such as "that was great" or even "never again". One word I did hear describing the production several times over though was "weird".

Well if weird means different then I'm on the same wavelength here. Weird didn't necessarily mean a criticism, but that they had just seen a production different from anything they had seen in the past. But if my partner is a good example of your average non regular theatregoer, well she said it was good to see something different (or weird perhaps) for a change.

I agree with those sentiments. Productions like this do make you think and talk more more than the run of the mill stuff, often long after the show. I'm glad I got to see it.... Weird and wonderful !

Des O'Connor and Jimmy Tarbuck, Devonshire Park Theatre, Eastbourne 2018

Des O'Connor and Jimmy Tarbuck 

Devonshire Park Theatre 

Eastbourne

20th June 2018

If , like me, you've grown up with either of these 2 monumental legends in entertainment on your TV screens this isn't an experience you want to miss.

It is certainly a production I will never forget for so many reasons. But primarily, if I'm completely honest, because I couldn't help but feel that this may be one of the last chances we will get to enjoy Des O'Connor on tour.

Comedian Jimmy mainly dominates the first half of the show with singer and entertainer Des owning part two after the interval. On occasions, in both halves, these great friends work together.

I'll therefore cover 78 year old "Tarby" first. 78 !! Really ?? I thought he looked and performed as well as a man approaching 80 as he did back in the 80's when he was a regular on the box. 

Fitness wise, well if golf keeps you as fit as Jimmy looks for his age I can see many a wife packing her hubby off to a local club to see if 18 holes works wonders for him !

His wit is as sharp as ever. Like Des, one of those comedians who can have you in stitches without resorting to swearing or gutter level humour. How refreshing that was to see and hear !! 

In addition to entertaining the capacity Devonshire Park Theatre audience with his jokes Jimmy also reminisced about his career with the aid of a big screen on stage. Of course a lot of his memories and indeed Des's involve massively popular entertainers no longer with us. Tarbuck wasn't actually joking when he said most of his days out recently have been funerals. 

Probably everybody in the Eastbourne audience has grown up watching celebrity legends like Morcambe and Wise, Cilla Black, Eric Sykes, Bruce Forsyth, Tommy Cooper, The two Ronnies, Spike Milligan and even Rod Hull and Emu

It isn't until you see somebody like Jimmy or Des discussing so many late, great entertainers you realise just how much talent we've already lost and it does make you very conscious of your own age and mortality. 

Although to try to keep this lighthearted, as I'm sure Des and Tarby would want, one does hope that Emu has been adopted following Rod's early death, is alive and well and hopefully tamed and calmed down a lot by now (at least muzzled if nothing else).

There is probably some sort of script for this show but both of these entertainers are experts and old hands in quips and ad-libs so every performance is going to be completely different on this tour.

Jimmy is one of the few entertainers who I haven't had the privilege of meeting before. Sadly this was no exception as he had to leave very quickly at the end. So that's one autograph which still escapes my collection ! There were actually many hopeful people at the stage door disappointed that Tarby had to escape quickly. But, as always, it's very understandable when performers need to be elsewhere after a show. I attend the stage door with an open mind. If it works, great. But go on the basis that it probably won't happen and then you can't be too disappointed when it doesn't.

I had really looked forward to this experience of seeing Jimmy live for the first time and he was as amazing as I hoped he would be. I hope he continues to tour. Not just because I am still lacking that meeting experience and autograph but because I think he still has so much laughter to deliver to a lot of people who enjoy being cheered up by a genius in his field.

And then there's dear Des O'Connor. One of the nicest guys in show business you could ever wish to meet. I've had the privilege a couple of times. He always has time for anybody who has waited to see him. A lovely, down to earth, perfect gentleman  who just happens to be a gifted singer, entertainer and presenter.

Des is 86 years of age as I write this review. Unfortunately Des's health isn't what it was when I last saw him perform in Eastbourne in 2014. 

Speech wise he realises he struggles a little now and he does need to sit down for most of his performance. All of which is completely understandable for a man of his age.

That didn't stop me having a lump in the throat and indeed a tear in the eye for the second half of this wonderful show. Whilst Des still had the audience roaring with laughter and thoroughly entertained by a few songs I couldn't help but feel that this might be the last time I see this lovely man on tour. He looked as if he was finding it completely exhausting.

I have so much admiration for Des doing this tour with Jimmy. But no matter how entertaining it was I couldn't help but feel that after this tour he should take things a bit easier and put his feet up at home enjoying the love and company of wife Jodie and his family.

Let's not miss Jodie out of this show review either. I don't know if it will be part of every performance but her rendition of Whitney Houston's "I will always love you" was nothing short of perfect. So perfect it got her a well deserved standing ovation ! Only the brave take on the Houston classic. You need to do it justice. In that auditorium she was vocally incredible. The observant would also have noticed the tears in Des's eyes as she belted that out (and I am sure with Des in her heart). I think that is one, very humbling, moment in a show I will never forget.

Like Jimmy, Des uses the on stage screen to talk about his career memories covering both the funny moments and the artists he worked with over the years. As with Tarby, some are still with us, most sadly not. This really is a touring production which will make you laugh, yet want to shed a tear too.

Please, please see Jimmy and Des on this tour if you get the chance. It is live entertainment at it's best from two TV legends. They received what is quite possibly one of the longest and most enthusiastic ovations I have ever seen in Eastbourne. These great entertainers hold great respect from so many.

Incidentally there was a big crowd at the stage door to meet Des. Now I'm normally the first one to hang around in all weathers and for as long as it takes for a meeting and autograph/photo. But in view of Des's health and lack of energy I felt that it was more respectful to give him some peace so he could return to his hotel. I'm not telling anybody what to do in this respect but I do think that there are times when even celebrities need their own space. This was one such moment.

Thank you Des and Jimmy for a fabulous night's entertainment in Eastbourne. You have my complete respect.

The Importance of being Earnest

The Importance of being Earnest

Devonshire Park Theatre

Eastbourne

 24-28 April 2018

Show seen 24th April

Cast

(Speaking Order)

Thomas Howes as Algernon Moncrieff

Simon Shackleton as Lane / Merriman

Peter Sandys-Clarke as Jack Worthing

Gwen Taylor as Lady Bracknell

Hannah Louise Howell as  Gwendolen Fairfax

Judith Rae as Moulton

Susan Penhaligon as Miss Prism

Louise Coulthard as Cecily Cardew

Geoff Aymer as Rev. Canon Chasuble

For me an Oscar Wilde play has always been one of those productions that has always received the Marmite response "I don't like it!". When what I actually mean is "I've never actually read it, or seen it... and it's very old so I probably won't like it."

It's all a bit ignorant really knocking something you've never tried and I'm glad I got the opportunity to see something a  bit different for a change. Yes with flamboyant vintage costumes and comedy devoid of inuendo filled humour we have become accustomed to these days it is very different to modern comedy. 

But this is comedy that came from a much more reserved, refined era. In that sense you have to appreciate just how much skill had to go into the writing to keep an audience laughing. So, no smutty innuendo, no swearing, no nudity, no sex references whatsoever. Instead a total reliance on unique characters, great acting, a well designed wardrobe and a humorous storyline to hold the attention and to keep us all amused. 

The Importance of being Earnest delivers all that from a very accomplished cast. 

Gwen Taylor and Susan Penhaligon give the totally convincing performances you'd expect from two well known names from our TV screens. But nobody disappoints in this production. In fact Louise Coulthard appears to be the actor with the fewest acting credits of the lot and yet her portrayal as Cecily Cardew I found to be incredibly funny.

This entertaining 3 act, 2 interval, play deserves to have more audience members who are willing like me to try watching a comedy from a bygone era. I have to admit I tried unsuccessfully to recruit a couple of friends to see this play tonight and both declined that they would not like it. 

I hope by writing this review at least a few people will consider giving a play they have never seen a chance. If we all take this blinkered view on older plays theatre as we know it now will gradually die. That would be a tragedy when writers like Wilde actually had to put so much work into getting laughs without causing offence to anybody. That took real talent.

Please enjoy this lovely Original Theatre Company production if you get the chance.

Some Mothers Do 'Ave 'Em

Devonshire Park Theatre, Eastbourne

17th-21st April 2018

Cast

Joe Pasquale as Frank Spencer

Sarah Earnshaw as Betty Spencer

Susie Blake as Barbara Fisher

Moray Treadwell as Terry Luscombe/David Worthington

David Shaw-Parker as Father O'Hara

Chris Kiely as Desmond James/Constable

(Understudies Leoni Kibbey & Peter F Gardiner)

Even in 2018 Some Mothers Do 'Ave 'Em remains one of the most iconic TV Comedies this country has ever produced. The 1970's production, which ran for 5 years (73-78) consistently topped the viewing figure ratings with hapless Frank Spencer's farcical escapades. Michael Crawford CBE is of course best known for starring in the side-splitting sitcom and famed for undertaking all his own stunts.

Joe Pasquale and Sarah Earnshaw

It takes a brave and talented man to bring such a well known role to the stage and I can't think of anybody better (and crazier) than Joe Pasquale to portray such a well known character.

I do have to say it was great , and I heard others saying likewise, that Joe didn't try to just impersonate the TV character. It has worked far better with the comedian just being virtually his normal stage self and transferring his own traits into this show.

I honestly don't think I have seen a funnier stage play and this sets a new benchmark on which I shall judge stage comedies. I have never heard so much constant laughter in the Devonshire Park Theatre.

Joe is utterly brilliant but the rest of the cast are equally as impressive. Sarah Earnshaw (who I believe I last saw in the musical Jekyll and Hyde in Tunbridge Wells back in 2011) is a wonderful, despairing but devoted Betty.

Meanwhile Susie Blake has us in stitches as she turns to alcohol for salvation as the farce develops. Susie is no stranger to Eastbourne theatres having been at this same venue back in 2009 starring in another comedy Boeing Boeing.

The remaining cast members may not be as well known as the aforementioned trio but they are just as talented and funny. All credit goes to Emily Jones for a great casting on this tour.

But there is a final non-living star of this great production and that is the set itself. It is extremely innovative, functional and technologically impressive. For one, relatively small, set to be able to effectively and convincingly recreate an actual episode of Some Mothers Do 'Ave 'Em is quite an achievement.

But that is what this set achieves. Every part of this multi function set seemed to work flawlessly. You never quite knew what surprises it could reveal next. You are left until the very end for it to perform its magnificent finale.

It even provides an opportunity for Joe to perform his best stunt of the night. I won't spoil the surprise here but lets just say if you thought Joe has a higher than average voice well this stunt may just be making it a tad higher on each performance.

Well done to Simon Higlett for designing such a great set !

To sum up if you love your comedies this is one you really should not miss. It is a totally hilarious masterpiece.

Joe Pasquale and this magnificent cast truly bring the house down !