Showing posts with label cheryl baker. Show all posts
Showing posts with label cheryl baker. Show all posts

Tuesday, 13 October 2009

The Original Bucks Fizz supported by Plasticine Review Eastbourne

The Original Bucks Fizz
with support act
Plasticine
13th October 2009
Eastbourne, Congress Theatre
It's not the first time this year that we've enjoyed the support act more than the main act but yet again it has happened this evening.
Tonights show was a pretty unusual length with the support act on for 30 minutes. A ridiculous 1/2 hour break then Bucks Fizz scheduled to perform for an hour and a half.
I'll get to Bucks Fizz in due course but I want to kick off with some feedback on the group Plasticine.
Plasticine
As support acts go this really should have been a recipe for disaster.
A band who are normally a popular indie group, due to touring with Bucks Fizz, decide that cover versions of huge 80's hits may be better received.
To top that 2 normal members of the group can't take part (their guitar and piano players) Stephen Fox is their usual lead and Matthew Roberts remains on drums but they have had to employ a temporary session singer and keyboard player.
I apologise that I don't have the names of the pretty blond singer/guitarist and the keyboard player who are filling in. They thoroughly deserve a mention so I will try to find this out.
If Stephen hadn't said so you would never have known that he does not normally perform with these people - it certainly didn't show. In fact the harmony between his powerful voice and her gentle yet very clear voice was spot-on.
To tackle legendary 80's hits like the Look Of Love, All Cried Out, Sweet Dreams and Billy Jean is a brave thing for any group to do. To do it when covers are not normally your thing is even more daring.
But Stephen and his mystery blonde companion don't just pull it off - they exceed any expectations you may normally have of support acts (and believe me we've seen many a dud support act).
Stephen's voice has the power to handle the hits and as I said the harmony and rapport with his co-performer is excellent. The drummer and keyboard player showed no signs that they have not played together forever.
The band have written a couple of tracks for Jay Aston's new movie and these were performed along with Butterfly one of their own hits which was also enjoyed .
In fact the only downside to this band was that they were only on for 30 minutes. It is this fact alone that makes this 4 stars not 5.
Well done Plasticine, together with your temporary members, you were the better act without a doubt.4 out of 5 for Plasticine
The Original BUCKS FIZZ
If you want to read one of the most interesting, yet thoroughly confusing, histories of any modern pop group in history nip over to Wikipedia, do a search for Bucks Fizz, and have a read about one of the most bizarre histories in music ever. They have gone through more Band members than many groups which have been around since the 1950's.
Bucks Fizz, The Original Buck's Fizz, David Van Day's Bucks Fizz. Who would have ever thought that 4 such pleasant individuals who did the British impossible and won Eurovision could go on to create one of the most controversial histories of any pop act?
The current Spash Tour by The Original Bucks Fizz (well 3/4 nearly original) does nothing to end the controversy.
It's funny but on the way to this "gig" I mentioned to my wife that the worst thing that could happen tonight would be if they tried to change or "jazz up" the original sound of the hits or do something else to go away from the original, some may say "cheesy", sound of the tracks.
The die-hard fans love this tour - you can find this feedback on official forums. They could have sung nursery rhymes the feedback would still have been good. But delve a bit deeper and you will find others share my view on this show.
I was annoyed even before the show started £8 for a tour brochure for a 12 page brochure. That's at least £3 more than ANY other programme I have bought this year including national musical tours.
So for 66p a page we get
Cover
Page 2 and 3 Pictures of old albums and 4 small pictures of the original 4 members.
Page 4 and 5 - One paragraph on each member (Cheryl, Mike, Jay) and a few
old pictures - note that these 3 paragraphs is all you get on Buck's Fizz - it's pathetic
Page 6 and 7 - a few pictures of the current trio
Page 8 - A totally wasted page which just lists a few tracks from the show - pointless.
Page 9 - All about the band members, dancers and support act - the hilarious part here is that they have more written information than the Bucks Fizz trio.
Page 10 Another trio pic with the other 1/2 a page being a rather shameless plug for Viviscal the hair restoring product endorsed by Cheryl.
Page 11 Oh yet another full page ad this time plugging the forthcoming CD set
Page 12 (Back Cover) Tour dates
That's it folks £8 for three short paragraphs of information. Unless you are going to get it signed I would advise you to spend your money on something that has some use. As programmes go this is the worst fleecing of the public I have seen. There should be a law against programmes this bad. If I had to name a value for this I'd say £4 tops.
Of course if you've got money to spend the CD's/T-Shirts and the like are also for sale. But you would probably be broke from buying that programme.
Oh well the show has got to be better - after all it is 90 incredible minutes (their words not mine).
Well let's take out the pointless long introduction video which ends making a point that "She's Back!" - I was always brought up to think that a little rude - who's SHE the cat's mother? But we are of course referring to Jay Aston who left Bucks Fizz some 25 years ago but who has now returned. If you look carefully at the video you will also see the occasional seemingly subliminal images of Bobby G who would be required to make up a true Original Bucks Fizz. The video does sort of give you that "It was the 3 of us... oh and that other bloke.. what was his name?" feeling.
From our 90 minutes we should also deduct the time the absolutely pointess dancers (2 girls) undertake their solo routines.
Take off the umpteen costume changes.
Discount the instrumental interludes and we probably have around 75 minutes of music and dialogue.
Still dumbstruck at my £8 "programme" the "singing" starts. My initial fears are realized as Mike, Cheryl and Jay start the show with a Latin style. A cover of Ricky Martin's Livin' La Vida Loca is totally destroyed by unharmonious vocals the only distractions being the girl's ridiculous feather headwear and those dancers who just seem to take up valuable stage space.
The whole show is a mixture of covers and original Buck's Fizz Hits - most of which the group have decided fans would prefer with a more funky beat. If you can't stand the heat was a track I originally liked but Latinized, funked-up and sung out of sync the result was painful on the ears. Do I hear Buck's Fizz earplugs 2 packs for £8? What do you mean you won't trade this programme?
I have noted that many fans have asked what the point of these dancers is? I have come to the conclusion they are there to try and destract you from other painful events on stage.
The Original Bucks Fizz, Cheryl Baker, Mike Nolan, Jay AstonAs I said at the start as individuals these are lovely people. But there is a lot of "history" between band members, Jay and Cheryl especially. Neither have hidden this fact in interviews and neither admits that everything is ok now.
In this show it is reflected on stage and off.
I'll bring Mike Nolan in at this point because I genuinely felt sorry for him as he reminded me of a referee trying to keep 2 female wrestlers apart and trying to keep the audience entertained at the same time.
Mike was the saving grace for The Original Bucks Fizz Tonight. Despite still suffering after effects of the coach crash in 1984 Mike Nolan was the entertainer through and through. He was the one who created the bulk of the laughter, he was the only one who made a point of entertaining at the very edge of the stage and when he got the opportunity to sing solo or to lead he was the star that shone tonight. Having after effects from a head injury myself I really admired Mike Nolan tonight - yes he forgot a couple of words as was critisized by some fan online - sadly some people will remain blissfully ignorant of how a head injury can affect your life forever.
As for the girls well the original harmony just was not there for the bulk of the performance. The only exceptions to this was when tracks were performed, and sung, in the original style as in the 1980's. This was demonstrated in the last 2 tracks The Land Of Make Believe and the Eurovision success Making Your Mind Up. As these tracks were performed flawlessly and with flair I turned to the wife and asked why they couldn't have performed like this the rest of the evening?
I doubt whether Cheryl or Jay would admit it but the friction is there for all to see. On stage there are little jibes about age and some bitchy off-mike comments. Some may interpret that as humour but body language and little on stage "talks" amongst the two while Mike tries to hold the audience attention says otherwise. After the show the stars can't be faulted towards meeting the fans, taking all the time in the world for autographs, but even then the body language is there for all to see. Mike seated between Cheryl and Jay, who appears very much still on the outside of this "group"- at times it looked as if she would prefer to fall off the end of the table rather than close in on the other two.
This really is a great shame. You'd have thought 4 people (note I'm including Bobby here) who could easily have been killed in 1984 would reflect on the fact life is too short and that this show could have been so different and so successful.
To be fair to all who have taken part in Bucks Fizz in it's various guises over the years this would have been better being The History Of Bucks Fizz Tour. Just imagine no support act just everybody who has sung in the group playing their part and repeating history. The show kicks off with "the original 4". Shelley Preston who I have to admit I thoroughly enjoyed as Jay's replacement could take part as could Bobby G's wife Heidi Manton who has played a big role over the years and who I believe owns the rights to the true Bucks Fizz name. David Van Day who made a fleeting visit in Bucks Fizz lifetime could also take part. The show could end with the original 4 or even every member ever singing an encore.
Now what a show that would be and I certainly feel it might entice more than 300 people into a theatre like The Congress which could hold 1700+
However I feel that the above will never happen - the bitchiness, bad feeling and legal squabbles seem destined to stay with Bucks Fizz forever. I can't see them ever being able to all sit down comfortably in the same room to talk let alone sing together. Even ACAS may have trouble with Bucks Fizz negotiations.
There are many reports that at Bognor something happened between the band members and 2 audience members that led to a fan saying "he had seen a different side of Cheryl and Mike". Boy I'd love to know more on that story!
The furore doesn't end there though as even their dedicated fans are mystified at the somewhat Draconian complete photo ban during shows. Threats of camera confiscation, theatre eviction it's all happened and Eastbourne is only the 2nd venue!
Most groups will tolerate non-excessive photography. From what I have read Jay has said this is not so much for the photo ban but more to avoid the ban's spectacular comeback being spoiled by the concert and tracks being on You Tube.
Based on what we saw tonight I'd be more worried about what people heard on You Tube rather than saw. With the promise that on the CD set many of the original tracks have been modernized it could end up being Bucks Fizzled out as regards to sales.
I have given The Original Bucks Fizz 3 stars (an average "OK" score) these are mainly awarded for Mike's outstanding contribution to the show, the last couple of wonderful tracks, the willingness of these people to take time for autographs, photos and to talk to fans after the show.
There was a lot of talk by Cheryl tonight of a future tour. To be honest without a turnaround in attendance fortunes and restoring a true good-will between members of the band, past and present, I can't see this happening.
3 out of 5 for The Original Bucks Fizz
Jay Aston, Mike Nolan, Cheryl Baker - The Original Bucks Fizz


Monday, 18 May 2009

Menopause The Musical Cheryl Baker Sue Hodge Devonshire Park Theatre Eastbourne Review

Menopause The Musical
Devonshire Park Theatre Eastbourne

18th-23rd May 2009
Performance seen
Monday, May 18th

Menopause The Musical starring Cheryl Baker, Sue Hodge, Susie Fenwick and Ellen O'Grady
Cast

Cheryl Baker
Sue Hodge
Susie Fenwick
Ellen O'Grady

Guest unplanned appearance : Female Stagehand


It is unusual for me to post a review the day after the performance but I am doing this for a reason.

The reason is we found it is just so very hard to find reliable information about this show anywhere. There is very little currently on the internet and other than, ex Bucks Fizz star ,Cheryl Baker it is currently practically impossible to find out who is actually starring in the current touring production.

Cheryl BakerI wonder if other potential audience members might think that there is only one named star because the rest of the cast are not as good or that the show may not be any good because of the lack of information available?

I am aware even though I have been keeping these reviews going only a year or so here (and twinned on
http://www.myspace.com/celebritygreenroom) over 1000 potential theatre visitors a month are already reading these comments.

Well before I continue lets get the overall verdict out of the way in the beginning so you can decide if you want to book tickets.

My own verdict is that I thought this was an outstanding production in terms of vocal performances and that it was the funniest show I can remember in ages.

We have previously seen the hilarious Sue Hodge in two productions at The Devonshire Park Theatre - Big Bad Mouse with Cannon and Ball and the celebrity retirement home comedy There's No Place Like a Home. Those were both two terrific comedies and Sue was also, of course, funny in 'Allo 'Allo. But I really believe that as far as Sue Hodge comedy goes Menopause The Musical beats all those hands down. She is to put it bluntly bloody hilarious!

What's it about? Well that's pretty obvious from the advertising posters "Menopause The Musical. The hilarious celebration of women and the change".

In a nutshell four very different women of menopausal age happen to meet up whilst shopping for underwear in Selfridges, London. There is no "story" as such as with the more traditional musicals. Instead 25 classic baby-boomer songs have been hilariously relyriced sharing the changes that women (and their partners) have to endure during a woman's mid-life hormonal fluctuations.

I put in "(and their partners)" above because I felt this was important.

There was a good attendance at this opening night but I feel it could have been so much better. Mainly because women outnumbered men by about 20-1 (that ratio may have even been greater).

I guess the advertising phrase I have mentioned previously "Menopause The Musical. The hilarious celebration of women and the change" is partly to blame for that. It does give the distinct impression that only the female sex will find this funny.

Nonsence!

As a bloke I found it incredibly entertaining and extremely funny. In fact, after the show, Cheryl asked me from a man's point of view what I thought of it. I wasn't lying when I said I thought it was great. I also had a rather long conversation with Sue Hodge who also agreed this production is just as funny to both sexes. After all women may be the ones who go through the menopause but husbands, partners and family members should all be able to appreciate (and laugh at) the consequences of those hormonal imbalances. Hot flushes, night sweats, desperation for a loo, lack of sex, insomnia, weight gain, clothes not fitting any more, mood swings - they're all covered in songs including "Puff, My God I'm Draggin" and "Stayin' Awake, Stayin Awake" to name but 2 from the impressively reworded lively tracks.

Susie Fenwick and Ellen O'Grady in Menopause The MusicalSo well known highly talented, down to earth, singer and TV personality Cheryl Baker appears "as advertised", Sue Hodge was a lovely unannounced surprise but there are two other cast members who don't have the honour of being named anywhere really. They're not on the web, leaflets or posters and even the tour programmes hadn't been printed yet.

This is when I feel sorry for incredibly talented people who aren't big name celebrities as I don't feel they get the credit they deserve. So I'm going to make up for this big time here:

Trained at the Italie Conti School, Susie Fenwick is an extremely experienced West End performer with credits including: The King and I (Adelphi) and then in Hans Andersen with Tommy Steele (London Palladium).
Other theatre credits: Star to Be in Annie (first tour), Cabaret (Theatre Royal, Plymouth), Audrey in Little Shop of Horrors (Comedy and Library, Manchester), Dolores in Spin of the Wheel (Comedy), Les Misérables (Palace), Aspects of Love (Prince of Wales), Sam in Viva Espâna (Arts), Simone in The Baker’s Wife (workshop), Merrily We Roll Along (Shaftesbury), A Cavalcade of Coward (Piccadilly), Copacabana (Prince of Wales), Fields of Ambrosia (Aldwych), Side by Side (Dublin), Annie (Victoria Palace), Beauty and the Beast (Dominion), Napoleon (Shaftesbury), Jennyanydots in Cats (New London), Romeo and Juliet (Piccadilly), The Woman in White (Palace) and Show Boat (Royal Albert Hall).

Television credits include: Quiet as a Nun, Day of the Triffids, Solid Soul, Pebble Mill and
Stage by Stage.
Recordings:
the cast albums of Aspects of Love and Les Misérables, Fields of Ambrosia, TV advert jingles and a solo record of the theme song for G’Day Summer Bay for ITV.

She has also made numerous appearances as a guest vocalist on concert tours throughout the UK.

It shouldn't come as any great surprise that with credits like these she is an incredible vocal performer and a great entertainer.

I must say that in this show Susie holds a single note perfectly for what seems like an eternity. It is certainly the longest I can remember any singer holding any note for.

Ellen O'Grady has an equally impressive background both on TV and theatre

TV: Doctors (Margi Flynn), Daddy's Girl, Holby City (Nadine Woods), Goodnight Sweetheart, Teen Summit, The Raynor Show

Theatre:Forty, Cinderella, The Snow Queen, Bad Girls The Musical,Sleeping Beauty, Trumpet, The Lion The Witch And The Wardrobe, Camelot, Henry IV part 1,
A Midsummer Night's Dream, The Ballad Of Little Jo, Peter Pan, Hello Again, Fame, Ace Of Clubs, Trickster's Payback, Eyam , Blues In The Night, The Tempest, Paint Your Wagon, Burning Habits, Out Of The Blue, Macbeth, Chicago, The Four Figure With Harlequine, Carmen, Nine, The King And I, It's A Girl, The Man Who Lit Up The World, Black Heroes, Medea, Hair.

Ellen's vocal power and range is utterly amazing and like Susie she is an incredibly accomplished entertainer too.

This is not a show with two stars but a show with 4 incredible performers.

I think I can guarantee however that the first night audience at Eastbourne got to see a funny scene that is unlikely to be repeated anywhere in the country. You could call it the mother of all theatre outtakes. Although, for copyright reasons, recording is banned it is one of those moments that really should have seen the light of day on You Tube. I am aware the Devonshire Park have a camera of their own looking at the stage... I wonder if it was recording at the time?

Many theatres have sloping stages (higher at the back) as it assists in the illusion of greater depth of the set and performers appear taller. The Devonshire Park Theatre in Eastbourne has one of the most steeply sloping stages.

It is not a rare occurence at all to see the odd prop, at this venue, fall to the floor and roll off the front of the stage. But it is usually something small like a cup, a glass or a pencil.

Tonight things were a little different.

The second half of the show had begun and already in previous scenes the very busy female stagehands had visibly been taking a little extra time to ensure that the props which had wheels were locked and were stable.

Along came a scene where the main prop was a typical lingerie-store, tubular steel type, large gament rack adorned with many items of lingerie of various shapes and sizes from the most skimpy to full body armour (a slight exaggeration there but you get the picture).

The stagehand positioned it horizontally across the back of the stage and it appeared to be stationary. She exited at the back leaving an empty stage.

You've guessed what happened next Mr Trolley decided it was having a life of its own and started to move. But at this stage the stagehands and cast were all behind the scenery and the back and could not see what was going on.

Slowly the trolley started to move towards the edge of the stage and the front row.

It wasn't at great speed as there clearly was some brake in place but not enough for this stage but without anybody on hand to stop it there was only one place it could end up.

The trolley, to gain extra laughter, decided to change direction as it decended, changing from it's horizontal position to facing the audience head on.

The audience were unable to intervene either as there is an orchestra pit in between the front seats and the stage.

At the end of the stage it appeared to stop for a few seconds at the "lip" of the stage. But Mr Trolley had not finished his performance yet.

With the combination of momentum, weight of object and gravity. Mr Trolley, in apparent slow motion started to tilt forward to vertical (still getting cheers from the audience) before considerately crashing sideways into the orchestra pit to a huge cheer, laughs and applause.

But this little hilarious diversion from the script hadn't ended yet.

No way!

One of the hard working stagehand girls arrived to salvage the lingerie rack which, despite its crash, was still in a quite salvageable position. The rack was intact, all that was needed was to put it back on the stage and the lingerie to be rehung.

Unfortunately a well intentioned lady in the front row, a couple of seats from me ensured this unscripted farce was not over yet.

She leant over the orchestra pit to try to help the stagehand restore the rack to vertical.

A bad move as she grasped it by the top rail and in the process dislodging the side support which fell right. Surprised at this she must have moved her hand again as the other side support fell left. Any remaining lingerie slid off the upper rail to the floor.

As she dropped the top rail that was the death toll for this scene as planned. The rack was in pieces and the lingerie props were out of order and all over the place.

Reaction from the audience : total hysterics
Reaction from the very professional (and still behind the scenes) cast stunned silence.

Nobody knew what was going to happen next but the scene was saved by the stagehand who had kept the audience laughing with comments like "You just can't get the staff" as she left the stage.

Apparently the planned scene was Sue Hodge's character apparently browsing through the whole rail before opting for a "very conservative, unsexy item"

Instead to a huge round of applause and continued laughter the stagehand appeared and held out the skimpiest of lingerie items in her own impression of a clothes hook. I have to praise this young lady for her courage as by this stage she was so nervous her hand visibly shaking.

What followed was a very funny, unscripted scene by Sue Hodge revolving around this single item of underwear.

But to anybody who didn't know you may have thought this was picking up on the original script. In fact it was only talking to Sue afterwards that we discovered it was nothing of the sort. It was the performance of a completely professional actress eminating from the idea of a stagehand.

A quite amazing theatrical moment. I just hope the Devonshire Park do record their performances. If "Outtake TV" had a theatrical equivalent this extraordinary 5 minutes or so should be on it.

If you are or you know the name of the terrific stagehand and she doesn't mind being named here please let me know and I'll change the text to credit her.

Sue HodgeAfter the show and being members of the
Friends Of The Devonshire Park Theatre we had the option of meeting the cast on the first night. I have to say with all cast members being able to attend (which isn't always the case) it was a pleasure meeting such a friendly cast who clearly have a great friendly working relationship.

What a shame that other than a couple of us members, a few committee members and a few of the theatre staff nobody took the opportunity to do this. I'm sure the cast don't mind this as it does allow them to relax for a few minutes. But out of an estimated 1700 members even I was surprised at the poor turnout. For anybody in the Hastings/Eastbourne, Brighton areas who appreciates good theatre there are other benefits such as discounts on opening night in addition to the meet the cast opportunity. Take a look at the above link for further details.

So there you have it. This is probably the only comprehensive review you will have on
this extremely funny show from a male because there is the belief only women will find it funny.

That belief is rubbish. Any woman who is going to see this who has a husband with a sense of humour should take their partner or husband along - it's not a female only show - it's not a man bashing show. It's just a really funny look at how women and all those around them are affected by the menopause. You can't change it.... so why not go and laugh at it!

After all in this show anything can happen.... and probably will!

Menopause The Musical starring, left to right, Ellen O'Grady, Sue Hodge, Cheryl Baker,Susie Fenwick,

5 out of 5 for Menopause The Musical

Because this super comedy deserves a huge audience here are the planned dates and venues for the 2009 tour:

12-14 May: Whitehall Theatre, Dundee 01382 434940
18-23 May: Devonshire Park Theatre, Eastbourne 01323 412000
26-30 May: Belgrade Theatre, Coventry 024 7655 3055
1-2 June: Assembly Halls, Tunbridge Wells 01892 530613
4-6 June: Key Theatre, Peterborough 01733 207239
9-11 June: Ashcroft Theatre, Croydon 0208 688 9291
12-13 June: Connaught Theatre, Worthing 01903 206206
16-17 June: Marina Theatre, Lowestoft 01502 533200
18-20 June: Journal Tyne Theatre, Newcastle 0844 493 9999
22-24 June:King Theatre, Southsea 023 9282 8282
25-27 June: Capitol Theatre, Horsham 01403 750220
29 June - 4 July: Theatre Royal, Lincoln 01522 534570
6-11 July: Malvern Theatre, Malvern 01684 892277

Note these dates and phone numbers were taken from a leaflet incorrectly stating that the Eastbourne Show was at the Congress Theatre. Obviously I cannot be held responsible for any other inaccuracies in the information above.